Friday 6 January 2017 at 6:30 p.m. + The Feast of The Epiphany
sung by The Professional Choristers of The Choir School of Newport County with the St. John’s Adult Choir
The Mass Setting is by Herbert Sumsion in F Major
Voluntary Prelude on the Introit for Epiphany Maurice Duruflé
Processional Hymns Songs of thankfulness and praise Hymnal 1940 # 53
We three kings of Orient are Hymnal 1940 # 51
Psalm 72:1-7,10-14 Anglican Chant by Sydney Bevan
Gospel Hymn What star is this, with beams so bright Hymnal 1982 # 124
Offertory Anthem Quem pastores laudavere arr. Susan LaBarr
Communion Anthem The Three Kings Peter Cornelius, arr. Ivor Atkins
Communion Hymn Father, we thank thee who hast planted Hymnal 1982 # 302
Final Hymn As with gladness men of old Hymnal 1982 #119
Voluntary In thee is gladness, BWV 615 Johann Sebastian Bach
Music Note: Today’s service begins with an ancient plainchant melody for Epiphany heard in the trumpet voice of the prelude. The sparkling accompaniment to the trumpet suggests the bright light symbolic of the season. The French composer Maurice Duruflé was highly self-critical and published very little music, of very high quality; this gem is typical of his refined service improvisations. On February 26, the last Sunday after Epiphany, we will again sing today’s opening hymn, Songs of thankfulness and praise, which summarizes the entire life of Christ with emphasis on the Epiphany season of the revelation of Christ’s divine majesty through miraculous works and events. Another Epiphany hymn, How bright appears the morning star (No. 329), is sung as an accompaniment to the soloist in the communion anthem.
Missouri composer Susan LaBarr, the arranger of the ancient offertory carol, writes: “The melody is introduced by a tenor soloist, followed by a traditional harmonization of the first verse in all voices—representing the shepherds coming to visit the Christ child. The harmonization of verse two finds the melody in the tenor voice, and the use of three voices reflects the three kings and the gifts that they bring to the manger. I found myself thinking of verse three as a reflection of a modern-day visitor to the manger. (Perhaps this is appropriate, as the text of verse three was added later in the carol’s history.) The harmonization of this verse is more contemporary…and becomes even more contemporary in sound in verse four, as the whole world joins in the song of praise.”
Sunday 24 December 2016 at 5:00 and 10:00 p.m. + Christmas Eve
sung by the St. John’s Adult Choir (joined by The Professional Choristers of The Choir School of Newport County at 5:00 p.m.)
Voluntaries Lo, how a rose e’er blooming Johannes Brahms
Infant holy, infant lowly Keith Chapman
O holy night! (at 5:00) Adolphe Adam, arr. John E. West, Peter S. Berton
Lo, how a rose e’er blooming (at 10:00) arr. Dale Adelmann
Processional Hymns O come, all ye faithful Hymnal 1982 # 83
Angels we have heard on high Hymnal 1982 # 96
Psalm 96 Anglican Chant by George Thalben-Ball
Gospel Hymn O little town of Bethlehem Hymnal 1982 # 79 (St. Louis)
Offertory Anthems Quelle est cette odeur agréable arr. David Willcocks
Sussex Carol arr. David Willcocks
Communion Anthem Here is the little door Joseph Burdick
Communion Carols What Child is this? Hymnal 1982 # 115
It came upon a midnight clear Hymnal 1982 # 89 (Carol)
Silent night, holy night Hymnal 1982 # 111
Post-communion anthem Break forth, O beauteous heavenly light Johann Sebastian Bach
Final Hymn Hark! the herald angels sing Hymnal 1982 #87
Voluntary Final on ‘Puer natus est’ from Symphonie Gothique, Op. 70 (1895) Charles-Marie Widor
Music Note: Dale Adelmann is Music Director of the Cathedral of St. Philip in Atlanta. His powerful setting of the sixteenth-century “Lo, how a rose e’er blooming” was composed for the choir of men and boys of St. Paul’s Cathedral, Buffalo. The music takes full advantage of the “new” third stanza of this hymn, added in the 19th century in Germany and added to Episcopal hymnals in 1940.
The communion carol was written by a young man in the choir. The text is sometimes ascribed to G.K. Chesterton (1874-1936) although it is thought to have been written by Chesterton’s wife Frances. It was not until English composer Herbert Howells set the text to music in 1920 that the poem received recognition. As told by the composer: “The words tell the story of Jesus’s Nativity scene, and the music is used to illustrate the scene, and perhaps enhance one’s desires of faith.”
The concluding voluntary is from Widor’s “Gothic” Organ Symphony No. 9, based on a Christmas plainsong hymn, Puer natus est (A boy is born). The final movement (Toccata) was played annually on Christmas Eve by the composer at the church of St. Sulpice in Paris where he was organist for a remarkable 64-year tenure (1870-1934). Unlike the famous toccata from Widor’s OrganSymphony No. 5, which is loud at beginning and end, this one gradually builds in excitement, and concludes softly, in a peaceful, almost plaintive mood which can be interpreted as a meditation on the full meaning of Christmas and the life of Christ.
Thursday, December 15, 2016 at 7:00 p.m. Christmas on the Point
A festive concert with special lighting and decorations, sung by the professional choristers of The Choir School and the adults of St. John’s Choir, with instrumentalists. $15 suggested donation
Click to download the concert program: Christmas on the Point Program 2016
Sunday, December 4, 2016 at 5:00 p.m. Advent Lessons and Carols
sung by the professional choristers of The Choir School, the adults of St. John’s Choir, and the choir of Emmanuel Church, Newport
Voluntaries: Fantasy on Veni EmmanuelKenneth Leighton
Nun komm, der heiden Heiland Johann Sebastian Bach
Lo how a rose e’er blooming Johannes Brahms
Matin Responsory Giovanni Pierluigi da Palestrina
Hymn: Creator of the stars of night CONDITOR ALME SIDERUM H82 # 60
First Lesson Isaiah 7:10-14 Isaiah prophesies that a Virgin shall conceive and his name shall mean “God with us.”
Carol: The truth sent from above Ralph Vaughan Williams
Hymn: O come, O come Emmanuel VENI EMMANUEL H82 # 56
Second Lesson Isaiah 11:1-10 The prophet foretells justice and peace from the descendents of Jesse.
Carol: A Spotless Rose Herbert Howells
Third Lesson Isaiah 40:1-11 The Prophet proclaims good news to the people in exile.
Hymn: Comfort, comfort ye, my people PSALM 42 H82 # 67
Fourth Lesson 1 Thessalonians 5:1-11 The people are exhorted to be watchful and alert for the coming of Christ’s kingdom.
Carol: Jesus Christ the Apple Tree Elizabeth Poston
Hymn: Hark a thrilling voice is sounding MERTON H82 # 59
Fifth Lesson Luke 1:26-38 The angel Gabriel salutes the Blessed Virgin Mary
Carol: Angelus ad virginem arr. Jefferson McConnaughey
Hymn: Of the Father’s love begotten DIVINUM MYSTERIUM H82 # 82
Sixth Lesson Luke 1:39-46 The Blessed Virgin Mary visits the mother of John the Baptist, and the Forerunner of the Lord leaps for joy in Elizabeth’s womb.
Carol: Ave Maria Camille Saint-Saëns
Hymn: A stable Lamp is lighted ANDÚJAR H82 # 104
Seventh Lesson Revelation 21:5-7; 22:12-13, 20 Saint John unfolds the fulfillment of all creation.
Carol: Christ, whose glory fills the skies T. Frederick H. Candlyn
Hymn Lo, he comes with clouds descending HELMSLEY H82 # 59
Voluntary The World Awaiting the Savior Marcel Dupré
Sunday, November 13, 2016 at 4:00 p.m. Choral Evensong and Benediction for Feast of Title
celebrating the 122nd anniversary of the founding of the Church of Saint John the Evangelist
sung by the professional choristers of The Choir School and the adults of St. John’s Choir
Voluntary An Evocation of Urbs Beata JerusalemGerre Hancock
Prayers of Preparation (Responsory) Gerre Hancock
Introit Locus iste Anton Bruckner
Preces Joseph Burdick in D-flat
Psalms 29 and 46 Anglican Chants by James Turle and after Martin Luther
Office Hymn Christ is made the sure foundation Hymnal 1940 # 780 Westminster Abbey
Service Magnificat and Nunc Dimittis (Collegium Regale) Herbert Howells
The Suffrages Plainsong, harmonized by Richard Webster
Anthem Blessed City, Heavenly Salem Edward C. Bairstow
Benediction Hymns: O saving Victim, opening wide Wareham
Therefore we, before him bending Grafton
Antiphon Adoremus in aeternum and Psalm 117 Jeffrey Smith
Recessional Psalm 150 Anglican Chant by The Rev. G. S. Talbot
Voluntary Blessed City, Heavenly Salem Healey Willan
Wednesday, November 2, 2016 at 6:30 p.m. Choral Requiem Mass for All Souls Day
sung by the adults of St. John’s Choir, with Fauré’s Requiem
Tuesday, November 1, 2016 at 6:30 p.m. Sung Mass for All Saints Day
sung by the professional choristers of The Choir School and the adults of St. John’s Choir
Saturday, October 29 at 6:30 p.m. Pipescreams on the Point
A family-friendly Halloween organ recital with wacky overtones, from 6:30 pm to 7:30 pm. COSTUMES WELCOME!
Organists Peter Berton and Cody Mead with special musical guests from The Choir School of
Newport County singing “Double Trouble” from the third Harry Potter movie! Plenty of spooky
minor-key music, video mayhem, and a Lionel electric train that runs through the organ.
$5 suggested donation (family maximum $15) benefits Episcopal Charities, supporter of the Dr.
Martin Luther King, Jr. Community Center and other Newport causes.
Includes a VIDEO MONITOR to see organist and mechanisms (and the train) during the music.
Sunday, October 16, 2016 at 4:00 p.m. Organ Recital by Peter Stoltzfus Berton
The program lasts one hour and includes compositions from this past summer’s “Bach
and Variations” series, in theme and variations form by Bach, Langlais, Sowerby, Widor and
Willan. A special favorite of the past summer concludes the program: Leo Sowerby’s
Pageant, a virtuosic showpiece played mostly by the feet.
Includes a VIDEO MONITOR to see organist and organ mechanisms during the music; pipe
chamber tours available following the concert. Video technology made possible by a grant
received by the New York City American Guild of Organists Centennial Millennium Fund.
Admission by $10 suggested donation or any amount you wish, benefiting further renovation of
an American treasure, the 1894 Hook & Hastings pipe organ built in Boston and installed when
the church building was new 122 years ago.
Sunday, September 25, 2016 at 4:00 p.m. Choral Evensong and Benediction for the feast of St. Michael and All Angels (Michaelmas)
sung by the professional choristers of The Choir School and the adults of St. John’s Choir
Wednesday, September 14, 2016 at 6:30 p.m. Sung Mass for Holy Cross Day
sung by the adults of St. John’s Choir
Voluntary Prelude on Pange lingua Peter Stoltzfus Berton
Processional Hymn Lord Christ, when first thou cam’st to men Hymnal 1940# 522
Psalm 98 Anglican Chant by Josiah Booth
Gospel Hymn Ah, holy Jesus Hymnal 1940 # 71
Offertory Anthem Good Friday, 1613 Peter Stoltzfus Berton
Communion Anthem Ave verum corpus Lodovico da Viadana
Communion Hymn When I survey the wondrous cross Hymnal 1940 # 337
Final Hymn Lift high the cross Hymnal 1982 #473
Voluntary Toccata: The wondrous cross Peter Stoltzfus Berton
Music Note: The opening voluntary is based on the tune Pange Lingua, sung to the hymn Sing, my tongue, the glorious battle during the ceremony of the Adoration of the Cross on Good Friday. The offertory anthem sets lines excerpted from Donne’s poem Good Friday 1613. Riding Westward. Viadana, an Italian composer, teacher, and Franciscan friar, was the first significant figure to make use of the newly developed technique of figured bass, one of the musical devices which was to define the end of the Renaissance and beginning of the Baroque eras in music. (Wikipedia) His Ave verum corpus, originally written for men’s voices, is simple and direct, and at the end has an unusual variant of the text: miserere nobis rather than miserere mei (have mercy upon us, rather than upon me). The closing voluntary combines the tunes Rockingham (sung at communion) with that of Hereford (No. 463).
The Summer Music Brochure listed special events May 20 through September 4, 2016, including organ recitals, liturgical music, and Music on the Lawn concerts.
Click to download the 2016 Summer Music Brochure: SJE Summer music brochure 2016
Sunday, April 24, 2016 at 4:00 p.m.
Choral Evensong for Eastertide.
With the Professional Choristers of The Choir School and the St. John’s Adult Choir, and special guests the Rhode Island College Brass Quintet.
Saturday, April 9, 2016 at 4:00 p.m. at GRACE CHURCH, Providence
Diocesan Youth Choir Festival Evensong
With the Professional Choristers of The Choir School as part of Festival Choir. Vince Edwards, director; Peter Stoltzfus Berton, assisting organist. The service includes ‘Bless the Lord’ by Andrew Carter, a sectional anthem of great exuberance and whimsy for the choristers. The text, drawn from Carter’s larger Benedicite, gives thanks for the praise of, among other creatures: badgers, hedgehogs, squirrels, ferrets, parakeets, pelicans, porcupines, guillemots, guinea pigs, gallinules, godwits, warthogs, wombats, wallabies, chipmunks, chuckawallas, kookaburras, caterpillars, butterflies, dragonflies, daddy longlegs, brothers, sisters, grannies, granddads, cousins, in-laws, and for good measure, all kith and kin, including Aunt Aggie’s twins! You have to hear it to believe it.
Maundy Thursday, March 24, 2016 at 6:30 p.m.
Sung by the Professional Choristers of The Choir School and the St. John’s Adult Choir
Good Friday, March 25, 2016 at 6:30 p.m.
Sung by the St. John’s Adult Choir
Holy Saturday, March 26, 2016 at 7:30 p.m. at Trinity Church, Newport
Sung by combined choirs of the Aquidneck Deanery, including the Professional Choristers of The Choir School and the St. John’s Adult Choir
Sunday, February 21, 2016 at 4:00 p.m.
Choral Evensong and Benediction for Lent. A Newport Winter Festival event.
With the Professional Choristers of The Choir School and the St. John’s Adult Choir
Voluntary Fantaisie in C minor, BWV 652 Johann Sebastian Bach
Introit Call to remembrance Richard Farrant
Preces and Responses Herbert Sumsion
Psalm 51:1-7, 19 Miserere mei, Deus Gregorio Allegri
Magnificat and Nunc dimittis George Dyson in C minor
Anthem The Pelican Randall Thomson
Voluntary So now as we journey, aid our weak endeavor Marcel Dupré
Notes on the music at this service:
Allegri’s Miserere, a famous setting of Psalm 51, was written in the 1630s for use in the Sistine Chapel on Wednesday and Friday of Holy Week. At some point, it became forbidden to transcribe the music and it was allowed to be performed only at those particular services, adding to the mystery surrounding it. Writing it down or performing it elsewhere was punishable by excommunication. According to the popular story (backed up by family letters), the fourteen-year-old Mozart was visiting Rome when he first heard the piece during the Wednesday service. Later that day, he wrote it down entirely from memory, returning to the Chapel that Friday to make minor corrections. Some time during his travels, he met a British historian who obtained the piece from him and took it to London, where it was published in 1771. Once the piece was published, the ban was lifted; Mozart was summoned to Rome by the Pope only instead of excommunicating the boy, the Pope showered praises on him for his feat of musical genius. (Wikipedia.) The setting is almost orchestral in conception, contrasting two choirs (one of five voices, another of four) interspersed with plainchant verses. The second choir is traditionally placed at some distance from the first for an ethereal echo effect, and sings a particularly poignant, ornamented passage with a high soprano C. For the final measures, the two choirs combine in a rich nine-part texture.
Randall Thompson, well-known composer of choral and orchestral music, was born in New York City and educated at Harvard. He subsequently continued his musical studies in Europe and then held a series of academic appointments in music in the United States. The offertory anthem is from a four-movement cantata, The Place of the Blest, commissioned by Saint Thomas Church Fifth Avenue, New York in 1968, to celebrate the 50th anniversary of the founding of its Choir School. The text of its second movement is quite remarkable. Its author, Phillipe de Thaun, was an Anglo-Norman poet, possibly from Caen in Normandy, who wrote a Bestiary around 1120 which he says he translated into French; evidence shows that he probably used a Latin bestiary possibly at least a hundred years old. In his volume he describes some 41 animals through the lens of Christian attributes. For example: The antelope’s two horns represent the biblical Old and New Testaments, with which people can cut themselves free of vice. People are also warned not to play in the “thickets of worldliness” where pleasure kills body and soul. Online, one can read English translations from various primary sources of the medieval descriptions of all these animals, as well as details about the rich tradition of illustrations of them.† According to this site, Philippe’s Bestiaire has been sometimes criticized by scholars as being poor poetry, but as one translator says, “…it should be remembered … that no more than a translation was proposed, and that this is an early work in a language still groping to express itself. All of these scholars appear to miss the excitement inherent in the fact that a tradition already ancient and rich had now entered the vernacular to become widely read and known in the next century and a half.” Imagine the magnificent gift which a sumptuously illustrated vernacular translation of a Bestiary would have been to an adult or child some 900 years ago. Across the distance of an entire millennium, the original sources of a powerful devotional allegory continue to speak with relevance today, through modern translation and captivating music.
Wednesday, February 10, 2016 at 6:30 p.m.
Ash Wednesday liturgy with Imposition of Ashes and Gregorio Allegri’s haunting Miserere (setting of Psalm 51). With the Professional Choristers of The Choir School and the St. John’s Adult Choir
Wednesday, January 6th at 6:30 p.m.
Our Christmas Celebration concluded with a Procession & Solemn High Mass for the Feast of the Epiphany, which commemorates the visit of the Wise Men. With the Professional Choristers of The Choir School and the St. John’s Adult Choir. Celebrated in conjunction with the congregation of our sister parish, Saint Stephen’s Church, Providence
FALL 2015 SPECIAL MUSIC EVENTS …in the historic 1894 Church of St. John the Evangelist unless otherwise noted
Saturday Sept 19 11:45 am and 1:45 pm Brief Organ Concerts (“Bach and Friends at Quarter ‘Til)…special editions for St. John’s Fall Fair! 25 cents suggested donation benefits St. John’s Organ Fund
Sunday Sept 27 4 pm An hour-long Organ Recital of works of JS Bach. $10 suggested donation benefits St. John’s Organ Fund
Sunday Oct 11 4 pm Hereford Variations, a 40-minute organ meditation composed by Peter Berton based on stained glass windows and poetry, along with a brief prelude of works by Edward Elgar. $5 suggested donation benefits St. John’s Organ Fund.
Sunday Oct 18 4 pm Choral Evensong for Treble Voices, sung by the Professional Choristers of The Choir School of Newport County joined by choristers from the Calvary Music School, Calvary Episcopal Church, Stonington, CT
(Stonington and Newport choristers at a combined Evensong in Stonington in September)
Saturday Oct 24 6:30 to 8:30 pm PipeScreams on the Point! More wacky pre-Halloween fun for all ages, costumes welcome! This year’s highlight is a screening of the original 1925 silent horror film The Phantom of the Opera with live organ accompaniment improvised by the spooktacular silent film specialist Peter Krasinski. $5 suggested donation benefits Episcopal Charities, supporter of Newport’s MLK Jr. Community Center.
Monday Nov 2 6:30 pm Solemn Requiem for All Souls Day with the St. John’s Adult Choir, special guests and instrumentalists, in a candlelit service of remembrance with Fauré’s Requiem
Sunday Nov 15 4 pm Choral Evensong for the Feast of Dedication of the Church of St. John the Evangelist (our 121st birthday). Sung by the St. John’s adult choir and the Professional Choristers of The Choir School of Newport County
Wednesday, Nov 18 4 pm Peter Stoltzfus Berton will present a special organ recital of music by J. S. Bach and French Romantic composers. This ‘private recital’ event was an auction item in the St. John’s Fall Fair this past September, which the purchaser wished to make into a recital for the general public. All are welcome. Freewill donations to the organ restoration fund in any amount gladly accepted.
Saturday Nov 21 7 pm in the Guild Hall of St. John the Evangelist (61 Poplar Street), a special acoustic guitar and vocal concert by the phenomenal band Aztec Two-Step. $28 admission benefits ministries of St. John the Evangelist. This performance sold out with 150 attendees!